A combination of Roy Lichtenstein, South African slang and upcycled design. Yameng Li has reimagined a simple recycling idea into a work of art, by painting this unique tyre chair in collboration with Tyred, at the Design Indaba Conference 2010 in Cape Town.
Colombia is a very colourful country – in every sense of the word – and this is reflected in the street art that decorates the walls of many inner city buildings. This painting was on an old door in a small square in Cartagena’s old town, a few minutes walk from the walled city. The bright colours and strong defining lines make this image all the more powerful.
Kelly Swallow, who is best knows for her colourful patchwork chairs and beautiful upholstered furniture, has taken some inspiration from one of the UK’s best loved artists…the unknown Banksy. For those of you who came across his street art you will probably recognise the image at the centre of this design. This chair’s simple soft colours, make it very versatile and perfect for a cosy stylish home.
Islington has it’s fair share of Banksy treasures, decorating the walls a number of buildings on Essex road. Who would have thought that street art and upholstered furniture would be so compatible.
Golran reinterprets oriental carpets with a perfect mix between expert technique skills and sensitivity. It has taken a new contemporary turn with this new Kilim collection designed by BertJan Pot under the direction of Francesca Avossa Studio.
The new generation at Golran is driven by a contemporary approach that began several years ago. This approach aims to promote research, while also conveying a new company spirit.
A collaboration with the Francesca Avossa Studio two years ago allowed for a redesign of the brand. This led to the development of a new identity that would unite the various activities of the brand, and create a cohesive message in both publicity and collections.
After the revolutionary Carpet Reloaded collection, whose innovation has been the engine of the company’s repositioning, Golran decided to invest further in contemporary collections.
The first two collections designed by Isabella Sodi – “Memories” and “Shadows” – preceded the collaboration with the studio of Francesca Avossa; a former consultant for several companies, including as artistic director of the brand’s collections at Ligne Roset.
The new editorial line has been designed in harmony with the spirit of Golran: reminiscent of the East, with traditional and artisanal know-how, using a contemporary approach to décor and a particular style of transgression.
The couple worked with architect Joseph Bergin to create a suitable extension. They had a clear idea in mind from the very beginning, telling Bergin “We want stuccoe cubes“.
The existing garage attached to the house was demolished to make space for the studio. The new studio includes a 600-square-foot section for cars.
Stockholder often creates her work in relation to wall surface and space, so she wanted a lot of blank wall space. The walls in her new studio range from 12 to 16 feet high.
Bergin also installed clerestory windows above several walls to let in light without taking up valuable space. A large additional window on the back of the studio overlooks the garden allowing you to look out and enjoy a beautiful view.
The connecting space between the studio and the house was a key part of the addition’s design and acts as a mudroom. It blends the two buildings’ styles, combining traditional architecture with the studio’s stucco exterior.
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“Design and Conceptualization has always come naturally to me… For me, the physical act of making an object is just as important as the cognitive evolution of the concept.”
He adds “Luckily, it’s also something that excites me.”
BRC Designs is a modern studio furniture company that uses the expertise of a number of highly skilled craftsmen from different backgrounds.
The company makes limited edition objects, one-of-a-kind pieces, and caters for bespoke projects. Benjamin works directly with the materials from the inception of an idea until its completion.
He emphasises his love of diversity in the design process.
“If I were forced to work with one material, in one style, using only one process, I would be completely miserable.”
One of the things that struck me immediately about BRC Designs is it’s eclectic style, Benjamin explains that he is energised by the variety of projects he’s involved in. It appears that multitasking is one of his key strengths, as he successfully manages to balance numerous projects while constantly coming up with new ideas.
“Typically I have five to ten pieces in process at the same time and up to twenty concepts that I am developing; therefore, when I am in the studio working on a piece and come to a point where I need to make a design decision or need a break, I can simply move across the room and focus on a different project.”
He gets his inspiration from second hand/vintage shops, salvage yards and abandoned warehouses. Sometimes these objects act as a basis for an overall design idea and other times they are used as the raw material for the piece.
He focuses on re-purposing objects and materials to give them a new beginning and a new function.
“My objective is to use materials in such a way that I completely transform their original purpose into something new and innovative.”
Benjamin achieves this through repetition, arrangement and stripping materials down to their raw essence. He claims that more often than not, the most fascinating aspect of a material lies under its exterior surface. I love tearing things apart to see what interesting parts I can find and wield into something completely unique.
He aims to create unique pieces by salvaging interesting parts of large items or integrating smaller objects and seeks to dismantle one thing to rebuild it as something entirely different.
“Everyday I am surprised by what materials I stumble across and what ideas pop in my head.”
BRC Designs is based in Inman, South Carolina and is represented by Industry Gallery, Washington DC
This is a lovely little animated video about Irish folk furniture. The film made it’s debut at the 2013 Sundance Film Festival in January. It features people talking about their traditional furniture and each piece making a journey through restoration. It’s beautifully shot and demonstrates how sentimental people can be towards objects.